The newer lens has slightly less linear distortion and controls flare slightly better. The Sony FE 24-70mm F2.8 GM II Lens vs. Sony FE 24-70mm F2.8 GM Lens comparison at f/2.8 shows the new lens is 18% smaller in volume, measuring 11% shorter and 22% lighter, weighing 6.8 oz (193 g) less.
Canon EF 24-70mm f/2.8L II USM review. Technical testing revealed slight colour fringing at the shortest focal lengths, which was a disappointment, but in all other respects the results were outstanding. Resolution peaked above 0.4 cycles-per-pixel and the MTF curves never once fell below the critical 0.25 cycles-per-pixel threshold.
The Sony FE 24-70mm f2.8 GM II is an outstanding lens, addressing the few shortfalls of its predecessor to become the best quality general-purpose zoom for the e-mount system to date. Unlike the Mark I, which in my tests became softer as the focal length increased, the new Mark II version remains crisp throughout its range, delivering fine
"However, here is where the Sigma shines once again, offering itself at a $1,300 price tag, whereas the Canon 24-70mm f/2.8L II sits at $1,750, and the Nikon 24-70mm f/2.8E at $2,400. The Sigma provides a lot for significantly less than the competition." Check out the full review and let us know what you think of the 24-70 in the comments.
The 35mm is sharper at 2.8 than the 24-70mm is at 2.8 by about 8 lpmm where a difference of 3 lpmm is noticeable. ( 47 vs 39 lpmm ) The 35mm at f2 and 2.8 is slightly sharper than the 24-70mm is at f4. The edge sharpness of the 35mm exceeds the 24-70mm by about 5 lpmm where a difference of 3 lpmm is noticeable.
The Canon RF 24-70mm f/2.8L IS USM on the latest Canon EOS R8 camera. (Image credit: Gareth Bevan) With the release of the new RF mount, Canon promised a whole new world of lens design was now possible, and kicked off with the Canon 28-70mm f/2 USM which is optically brilliant but an absolute behemoth of a lens.
Tamron SP 24-70mm F2.8 Di VC USD review (May 20, 2013) Fujifilm XF 14mm F2.8 R review (Apr 2, 2013) Canon EF 24-70mm F2.8L II USM review (Mar 6, 2013) Sigma 35mm F1.4 DG HSM Art review (Dec 21, 2012) Tamron 18-270mm F/3.5-6.3 Di II VC PZD review (Dec 3, 2012) Sigma 18-250mm F3.5-6.3 DC Macro OS HSM review (Nov 20, 2012) Canon EF 24-70mm F4L IS
So, at $1,100, can the Sigma 24-70mm f/2.8 DG DN Art compete with the Sony 24-70mm f/2.8 GM II, which costs more than twice as much? This excellent video comparison takes a look at both.
Read helpful reviews from our customers. 3-Day Sale. Canon - EF24-70mm F2.8L II USM Standard Zoom Lens for EOS DSLR Cameras - Black Art 24-70mm f/2.8 DG OS
Canon reaches a maximum magnification of 1:3.3 at 32mm focal length. The Tamron 28-75 G2 achieves a magnification of 1:10 at its longest focal length at 0.85m (2.8ft.) distance. [+] Filter-thread: 67mm. All the other lenses need bigger 82mm filters. 67mm filters also fit on Tamron’s 17-28mm f2.8 and 70-180mm f2.8 lenses.
Sony G Master FE 24-70 mm F2.8 GM Full-Frame E-Mount Standard Zoom Lens Black SEL2470GM - Best Buy. from $1,569.99. Choose a store for pickup availability. User rating, 4.9 out of 5 stars with 431 reviews. User rating, 5 out of 5 stars with 1 review.
Canon EOS R6 Canon EF 70-200mm F2.8L IS II USM Sigma 14-24mm F2.8 DG HSM Art Sigma 105mm F1.4 DG HSM Art Canon RF 24-105mm F4L IS USM +6 more Reply Reply with quote Reply to thread Complain
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The 24-105 L is shown above mounted on a Canon EOS 5D Mark II. I am sure that many Canon EF 24-70mm f/2.8L Lens owners will also have a 24-105mm L in their kit. Indoor event photographers will *probably* select the 24-70 L while landscape/outdoor, travel and portrait photographers might prefer the 24-105 L.
Canon EOS 5D Mark II Canon EF 35mm F1.4L USM Canon EF 70-200mm F2.8L IS II USM Canon EF 24-70mm F2.8L II USM +14 more Reply Reply with quote Reply to thread Complain
A crucial advantage over the Canon 24-70mm f/2.8 lens for handheld shooting is that the Sigma features an effective, four-stop optical stabiliser. A downside, however, is that at 1,020g, the Sigma is 200g heavier than the Canon.
The Canon EF 24-70mm f/2.8L II USM exhibits excellent bokeh in most situations, though it's best at 70mm. The lens renders out-of-focus areas smoothly, with very little aspherical distortion or coma wide open. Some high-frequency backgrounds can look a bit "busy" (seen in the sample below), but it's not a big deal.
Product Description. The new Tamron SP 24-70mm F/2.8 Di VC USD G2 (Model A032) is the perfect high-speed zoom lens for the latest high-pixel-density cameras and is ideal for landscapes, portraits and much more. Generous use of special glass materials enables the best-in-class 24-70mm G2 to offer unprecedented colour reproduction and superb
While the new 24-70mm f/4L IS isn’t as sharp as the 2.8 when you pixel peep, in real world applications (i.e, web and common print sizes) you aren’t going to see the difference. I do think you’ll see the difference between the new 24-70mm f/4L over the 24-105mm f/4L, so if sharpness and the best IS performance are important then it’s
The EF 24-70mm f/2.8 Mark II has been my “workhorse” lens for many years. It’s fantastic, not simply for its image quality, but for all the different ways it may be used. Full frame, 24-70mm is the perfect focal length range for general purpose photography. You can shoot everything from wide angle at 24mm to standard focal lengths at 35
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